Alex+Tekaman=Awsome. - Tatsunoko vs. Capcom: Ultimate All-Stars Message Board for Wii - GameFAQs
az-links.info: Tatsunoko vs. Capcom: Ultimate All Stars [Japan Import]: Video Games. Apr 26, It plays quite similarly to Marvel vs Capcom, but there are some If you have a good connection and your Wii is set up well, it can be a pretty .. In general, most combos make use of cancelling, whereby the ending frames of one not even Alex or Tekkaman can compare to the amount of damage he can. Tatsunoko Vs. Capcom Ultimate All-stars is a fighting game for Wii pitting a wide Capcom, Ryu, Chun-Li (Street Fighter), Batsu (Rival Schools), Alex (Street.
Plus, she has made the most appearances in the Capcom vs.
Whatever series than any other character from the entire franchise. Sorry, but cleaning is what I do best! One of the rules of fighting is to never underestimate your opponent. I should have remembered that She has a disjointed hitbox, a Level 1 healing hyper move, and very damaging attacks. Unlike some examples, she's not this by mistake, that's for sure. The same game where Doronjo and her henchmen are featured can be played with Roll if the player finishes the game with her.
The same rules apply. Roll seems to have learned her lesson from Marvel vs. Capcomeven quickly covering up if she superjumps too high.
Robot Girl Rump Roast: The first half of her Level 3 combo has her sweeping so hard that it causes a fire in front of her, which lights the rival's backside on fire. The second half of it is Roll trying to put it out with a huge bucket that causes a tidal wave. As with the other safe tag methods, your partner does not lose their red life when switching in this way. Your partner will jump in and perform a super at the same time as you. Unlike DHC, afterwards you will still be in control of whatever character you started with.
This also costs 3 levels of super energy instead of just 2.
However, it's generally a bit easier to hit with this since both supers start at the same timeand if you finish your super before your partner, you're free to move around and attack or whatever else.
This will cause you to push back against your opponent's attack, which has 3 benefits: You'll recover a little faster, you'll take less chip damage, and you'll push the opponent back a little bit. There's rarely any harm in doing this when blocking an attack unless you wanted to punish a laggy attack, you might push them out of the wayand you should always mash Advancing Guard when blocking a projectile super. This will cause your character to release a burst of energy that blasts the opponent back if they're hit by it, and costs 2 levels of super energy and some of your yellow life it's converted to red life.
The cost is high, but the use comes from the fact that you can perform this move at almost any time - including when you're being attacked - so you can use it to break combos.
However, you can't use this move when you're being hit by a super. When you invoke it, you will return to a neutral stance and begin to glow until your combo ends.
You can use this to extend your combo where it would not normally be possible since it cancels the lag on whatever attack you were doingbut more importantly you receive a power boost depending on how much red life you had when you invoked it. If you have a ton of red life, you can quite easily defeat the opponent with one combo, so it can be very powerful.
You can also use Baroque simply to make a blocked attack recover faster, either to protect yourself or to try to use another attack to overcome the enemy's defenses. Another point of interest is that Baroque recovers your mid-air jump s when used in the air, so you can jump more times than you would normally be able to.
Almost every cH and jH has this effect jH only does this to an airborne opponentas do many other moves and supers. Once on the ground, you can either press nothing to simply stand up, or press B or F to roll in that direction. While rolling, you are invincible, it gives you a chance to move to a more favourable position out of the corner, for example. Certain attacks can also hit you when you're on the ground, this is referred to as "hitting OTG". Since you can't perform a Tech Roll in this game you can roll, but not until after lying on the ground for a whileOTG combos are not escapable like they were in Marvel vs Capcom 2.
Switch Character Before Match: This is useful when matchup dynamics are in play. Combos are the main method of dealing damage in Tatsunoko vs Capcom. In general, most combos make use of cancelling, whereby the ending frames of one attack are cut short to begin another one. These are the basic rules: After this, you can press up to jump after them, and perform an air combo. In Tatsunoko vs Capcom, most characters can perform 2 Lights and 2 Mediums in a row in the air, similar to Marvel vs Capcom 2.
A standard air combo is: Tatsunoko vs Capcom uses damage scaling, so the amount of damage done by each attack is inversely proportional to the combo counter. This means that it may sometimes actually reduce your total damage to do more hits, especially if the combo ends with a powerful super. I usually write my combos to do optimal damage, but keep this in mind when performing partner extensions. Though most combos work on all characters, Roll and Viewtiful Joe are shorter than the other characters and some attacks will miss them.
I don't usually list these, because I can't be bothered to test them all, but you can submit this information to my guide if you have it.
Tatsunoko vs. Capcom - Capcom Characters / Characters - TV Tropes
I usually won't specify this if it's obvious. An explanation will usually follow if it's not obvious. Land - Land from your jump before doing the next move. When writing combos, I'll usually write out the name of the move in full, so if you see something like L Hadoken that means Hadoken performed with L.
If the button used isn't specified, that means it doesn't matter. I've also specified the approximate damage done by combos, this will be the optimal damage of doing the combo by itself in most cases. Damage is damage dealt to Ryu, due to guts it will be less against other characters. Sometimes you can add more attacks than I've specified, for example repeating the L or adding in cLs, but it usually hurts the total damage.
Once you can do the listed combos hopefully you'll see how to improvise to fit the situation. You can also perform partner and baroque extensions on almost any combo like this: Keep in mind though, that these extensions tend to work best with partners who keep the opponent grounded, if they lift the opponent you can only do a juggle combo afterwards.
There also may be better combos that are more complex and would be listed separately.
There may be a few restrictions, or you may need to set up another move first, but in general these will form the core of your offense.
A combo which is referred to as a Bread and Butter or "BnB" for short is a very dependable combo which you will use with minor variations with great frequency. These will invariably be stronger than non-corner combos otherwise I wouldn't list themso generally if the opponent is in the corner you're at an offensive advantage.
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Many corner combos don't require the opponent to be exactly in the corner, near the corner is often good enough. This always occurs because one of the attacks is unblockable. This is helpful because when the combo breaks, the damage scaling is reset, so the attack immediately afterwards will do a lot more damage. Generally, you have to do the unblockable attack just a tiny bit late so it doesn't combo, if you do it too late the opponent may be able to escape before it hits. Damage scaling will keep progressively making the hits weaker, but if you land the first hit and never mess up and the opponent doesn't Mega Crash it'll be fatal even if landed on an opponent with full health.
For this reason, infinite combos are generally very powerful - So much so that many people consider them cheap and don't like to play with them. I'm generally not a big fan of them, but I'm including them for completeness.
At least in this game you can use Mega Crash to escape infinites and you'll build it up as you're being comboed. In Ultimate All Stars, though, the amount of hit stun placed on the opponent goes down as the combo counter goes up, so if you repeat a combo too many times it will eventually become blockable. In theory, this should remove every single infinite in the game, at least so long as they don't involve resets. Watch out for damage scaling, though. The meat and potatoes of this guide, this section covers every character in the game, with move lists, commentary, and some combos.
I've added some "quick properties" of each move, so you can see some notable information about each move at a glance without reading the full description.
C Ken the Eagle: Ken is the leader of the team, a test pilot and master of the bird-shaped boomerang "Bird Run". He is initially a fairly straightforward hero type, but his perspective becomes a bit darker as the series progresses.
Quick Stats and Character Changes: Bird Smash Move Breakdown: Decently fast, but Ken has few follow up options. It comes out a little slow and isn't very strong, but it comes back to him and can hit on the way back. This makes it a good tool for playing keep-away or harassing the opponent. The button you press affects the trajectory of the Bird Run. As an assist, it's significantly worse because it doesn't return and has minimal stagger. At least it keeps the opponent grounded, though.
This is a useful move that you'll use a lot in combos and also just when you want to gain mobility or pressure the opponent, but be aware that it is not invincible and doesn't go through projectiles.
You can also perform this attack in the air, but you can only do it twice in the air before you have to hit the ground to "recharge" it. It's a very good source of air mobility regardless. The button that you press affects the trajectory.
L is straight forward, M is diagonally forward and up, and H is straight up. Ken teleports into the air, ready to launch an attack. This is very useful when playing mind games or trying to escape the opponent. Ken can perform either two of these or two Bird Shoots before touching the ground, or one of each. Use it wisely to control the air. The button you press determines where exactly you go. L is to the left, M is to the middle, H is to the right.
This is the case regardless of what side you're on. This can be useful in air combos, but if it misses Ken glides down very slowly, just asking to be punished, so be careful with it.
The button you press determines how many hits it does, but the H version starts up a lot slower than the others. This works well as an air combo finisher, and is basically required for Ken to deal any serious damage. Once fully charged, it is unblockable and does more damage than any other chargeable special move in the game. While it's tricky to land this in a match, you can time it after you KO one character on the opponent's team so that the unblockable attack lands on the entering character.
It's also possible to use partner assists to hold players in place long enough for you to charge it up. The uncharged version of this attack is not comboable. This special move is the only one in the game that turns a character around. Does a great amount of damage and can be placed at the end of air combos for massive damage. It's not too hard to land this if you've scared your opponent into blocking more than they should. If you're confident in your timing, you can deliberately end your air combo without using the command grab, and then wait until they descend in front of you to grab them instead.
This will reset the combo counter and thus the damage scaling. Unsafe on whiff, but it has great range and it is difficult to punish its air recovery. The Light version allows the opponent to remain standing so that you can continue Baroque combos.
The Medium version knocks down so that you can gain a positional advantage. The Hard version does a wallbounce, allowing you to combo afterwards into Launcher without the use of Baroque if you're close to the wall.