The Wind Rises - Wikipedia
In addition to the engineering-as-artistry metaphor, which The Wind Rises tends to lay on a little thick, Miyazaki also has a personal connection. Director Miyazaki Hayao's animated film The Wind Rises (kaze tachinu, But on reaching the disastrous end of the film, Jirō does not own the choices he theory in which he explored the relations between film and ideology. The Wind Rises is a Japanese animated historical drama film written and directed by Jiro's sister Kayo, a doctor, warns Jiro that his marriage to Naoko will end badly as tuberculosis is incurable. Though Naoko's health deteriorates, she.
Compared to other films by Miyazaki, this movie was like waking up from a long sweet dream to face a harsh reality. Nahoko left for the hospital and later died while Jiro was at work. Her final words were nothing but the sound of the blowing wind. All he could do was to live on. In other words, the Wind Rises was unusually grounded in reality. And it concluded in a painfully realistic note.
Why Does Miyazaki’s Final Film Have Such Terrible Female Characters? – Flavorwire
Not every story has a happy ending. Nevertheless, the ending might not be that important. In fact, the ending was only an illusion. What really mattered was the good times he had while creating airplanes and with the ones he loved. I saw bits and pieces of his other films everywhere.
First Thoughts on The Wind Rises / Kaze Tachinu (2013)
Naturally, the looks and feels of the film were familiar to me. The passion in anime-making was still palpable in every scene.
I especially love the scenes that depicted mundane activities, such as Jiro absent-mindedly lighting his cigarettes, or when he examine the fishbone on his plate. These trivial events might seem irrelevant and unnecessary but they actually made the animated characters and this animated world more real than any live-action film.
I know it might sound very authentic and scholarly to say Miyazaki Hayao, but that's about as far as it goes. If that's what their mother calls them, that's what we call them. We see it as a sign of respect. I don't see the point, honestly; it just seems like an exercise in ethnocentrism.
Is it really going to hurt anybody to encounter the naming customs of another culture? Hindsight is wonderful, but if the film is an honest attempt to depict how these people likely felt, then I can go with it. As an example, I know some people who don't like Grave of the Fireflies because it paints "the bad guys" in a sympathetic light and ignores all of the nasty things the Imperial army did in the Pacific.
They'd already made up their minds before the opening credits. I can't yet speak for the tone of this film, but I have faith in Miyazaki, so I have faith that this film will strike the right cord. You may see this movie as patriotic but I just want you to know that he hates nationalism to the bottom of his soul.
- Animation legend Hayao Miyazaki under attack in Japan for anti-war film
- Review: Miyazaki's THE WIND RISES (KAZE TACHINU), A Stunning, Somber Work
I hope some of his writings will be translated in English. Everything from the fantastical designs of the flying machines to the way the characters walk, run and wave, even down to the suits and dresses they wear, all of it just oozes Miyazaki.
As a minor criticism, I must admit that I found the film a bit slow-paced just a little and I was beginning to check the time towards the end — with its hefty two-hour running time, it could, perhaps, have benefited from being just a fraction shorter.
It actually reminded me a lot of his film Porco Rosso, at least stylistically, which also featured a story revolving around planes and war. However, it did also generate a bit of political controversy for using a warplane engineer as its protagonist, as well as for seemingly supporting smoking.
Why Does Miyazaki’s Final Film Have Such Terrible Female Characters?
The same year, a documentary about the production process on this film was made called The Kingdom of Dreams and Madness, which I also watched about a week after seeing the film.
One thing I took away from it in particular was how much Miyazaki related to Jiro on a personal level, as he, too, grew up with a passion for planes at a time when they were largely being used for war.Kaze Tachinu (The Wind Rises / 風立ちぬ) - Official Japanese Trailer (Hayao Miyazaki - Studio Ghibli)
His interest in the machines had always clashed with his firm anti-war stance, and it was this that he was keen to explore in this film.