Charlie and the Chocolate Factory | From the Guardian | The Guardian
Veruca Salt is a character from Charlie and The Chocolate Factory, both films, and theatrical adaptations. Willy Wonka and the Chocolate Factory Both the and films do not mention what her mother's job is, although it is . Veruca's final scene is the Golden Egg Room, where she wants her father to buy her. Thu 28 Jul EDT appalling child comes to his or her gruesome and well-deserved end. Alex McDowell's production design makes the Wonka factory, with melts the hard candy of Willy's heart and unlocks the secret of his relationship with fierce Wonka Sr, robustly played by Christopher Lee. to Burton's Charlie and the Chocolate Factory (), based on Roald Dahl's classic . Prima facie, Dahl and Burton seem a perfect marriage of talents: both have an . Charlie in the film, Burton still has him appear near the end as a .
Imagine eating all that! But Willy has his dark side and the most exquisitely horrible moment is when one of the little brats gets flushed down the factory's interestingly designed swirling garbage chute.
Could this be the Hershey Highway to hell? He cleverly serves up an authentic Dahlian gloop, mixing a dash of sentimentality with a quart of satirical grossout, to which generations of young readers have gleefully responded.
I couldn't help remembering Ian Carmichael, in I'm All Right Jack, throwing up into a vat of chocolate mix after his tour of the sweet factory. Burton gives everything a retro Day-Glo s feel: Lucy in the Sky with Maltesers.
The factory interiors are like sets for some forgotten, drug-influenced series of Ready Steady Go!
Charlie and the Chocolate Factory (film) - Wikipedia
Alex McDowell's production design makes the Wonka factory, with its gaunt brickwork and smokeless towers, look a bit like the Thames Bankside power-station before it became Tate Modern, and the W-O-N-K-A lettering made me think he'd been inspired by the Granada Television building in Manchester. At issue between Willy and his father is precisely candy -- as indulgence, metaphor, vice, and sensual delight.
Charlie shares Willy Wonka's love of candy, for its own sake, for bestowing sweetness and satisfaction on its consumers. When an exasperated Mike Teavee complains that nothing in tour has a point, Charlie patiently explains, "Candy doesn't have to have a point. That's why it's candy. Yes, candy is grand, but it's also symptomatic of a culture premised on consumption.
The kids and their parents are optimum consumers, always looking for the next product, greedy to get their hands and mouths on it. Willy Wonka has made his fortune on this pattern. Even his beloved Oompa Loompas are functions of this pattern, essentially "purchased" by Willy Wonka, a jungle-dwelling tribe sick of eating green caterpillars and glad to work on the chocolate river in exchange for endless supply of coca beans.
Consumers and consumed as entertainment for Willy Wonka, at leastthe Oompa Loompas remain an unreconstructed retro fantasy -- happy darkies, "rescued" by the whitest man on the planet. To hold to the book, the movie must include the Oompa Loompas, but that doesn't make them easy. Charlie and the Chocolate Factory's incongruities are often fun, in particular Depp's frisky line readings check his explanation: But the narrative rhythms are uneven, and Charlie, especially, is undeveloped, more an emblem of goodness than a full-on character.
While the novel maintains a more or less steady focus through Charlie's perspective of all these crazy goings-on, the film is less coherent. I've always liked that, and it's shaped everything I've felt that I've done. Liccy Dahl remembers Burton entering Dahl's famed writing shed and saying, "This is the Buckets' house! The manuscripts included a child named Herpes, after the sexually transmitted disease.
This Theory Will Change How You See 'Willy Wonka & The Chocolate Factory' | HuffPost
He did not see the film prior to his hiring, which Burton believed would be fundamental in having August stay closer to the book.
The characters Arthur Slugworth and Prodnose were reduced to brief cameo appearances, while Mr. Beauregarde was entirely omitted. Burton thought the paternal character would help explain Willy Wonka himself and that otherwise he would be "just a weird guy". The studio wanted to entirely delete Mr.
Charlie and the Chocolate Factory (2005)
Bucket and make Willy Wonka the idyllic father figure Charlie had longed for his entire life. Burton believed that Wonka would not be a good father, finding the character similar to a recluse. He wanted Charlie to be an average child who would be in the background and not get in trouble.
He said, "It was kind of a strange amalgamation of these weird children's TV show hosts.
Charlie and the Chocolate Factory
Burton disagreed with the comparisons and said Jackson, unlike Wonka, liked children. Instead, he compared Wonka to Howard Hughes due to his "reclusive, germaphobe, controlling" nature.
He also cited Charles Foster Kane from Citizen Kane as an inspiration for Wonka, as Kane is "somebody who was brilliant but then was traumatized and then retreats into their own world". During production, Gene Wilder, in an interview with The Daily Telegraphaccused the filmmakers of only remaking the film for the purpose of money. Burton said he sought actors "who had something of the character in them", and found Mike Teavee the hardest character to cast.
As a consequence of British Equity rules, which state that children can only work four and a half hours a day, filming for Charlie and the Chocolate Factory took six months, ending in December