My Name Is Bill W. (TV Movie ) - IMDb
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Music[ edit ] According to the official documents, the music score was composed by Chaplin himself, and arranged with the assistance of Alfred Newmanwho had collaborated with Chaplin on the music score of his previous film City Lights.
Newman and Chaplin had a falling out near the end of the Modern Times soundtrack recording sessions, leading to Newman's angry departure. The romance theme was later given lyrics, and became the pop standard " Smile ", first recorded by Nat King Cole.
Chaplin's version is also known as The Nonsense Song, as his character sings it in gibberish. The lyrics are nonsensical but appear to contain words from French and Italian; the use of deliberately half-intelligible wording for comic effect points the way towards Adenoid Hynkel's speeches in The Great Dictator.
According to film composer David Raksinhe wrote the music as a young man wanting to make a name for himself.
Chaplin would sit, often in the washroom, humming tunes and telling Raksin to "take this down". Raksin's job was to turn the humming into a score and create timings and synchronization that fit the situations. Chaplin was a violinist and had some musical knowledge, but he was not an orchestrator and was unfamiliar with synchronization. Raksin later created scores for such films as Laura and The Day After.
Reception[ edit ] World premiere of Modern TimesNew York Modern Times is often hailed as one of Chaplin's greatest achievements, and it remains one of his most popular films. The website's critical consensus reads, "A slapstick skewering of industrialized America, Modern Times is as politically incisive as it is laugh-out-loud hilarious.
Frank Nugent of The New York Times wrote, "'Modern Times' has still the same old Charlie, the lovable little fellow whose hands and feet and prankish eyebrows can beat an irresistible tattoo upon an audience's funnybone or hold it still, taut beneath the spell of human tragedy Time has not changed his genius.
In all, it's a rambling sketch, a little at loose ends at times, sometimes rather slight in effect, and now and then secure in its rich, old-fashioned funniness. The opening of a fantasy sequence in the film, in which the unemployed factory worker trips over a footstool upon entering the living room of his "dream home" with the Gamine, inspired a similar opening to The Dick Van Dyke Show.
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