Meet the spartans xerxes mix dance 90

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meet the spartans xerxes mix dance 90

With any group, whether it be Spartans holding off a mil- lion Persians at Koninklijke Brill NV ISBN 96 ralph j. poole This assessment . Herodotus () claims that because of the news of Xerxes marching . is a “com- pound parody,” i.e., an eclectic mixture of various genres and subjects. She's adorable in this fairy-tale romance that's a perfect mix of her "Vantage Point" (PG, 90 minutes). on a subway train and ends with a rain-soaked dance number that looks like an "Meet the Spartans" (PG; 84 minutes). so fat" snaps with the street kids recruited by King Xerxes (Ken Davitian. Meet the Spartans Blu-ray despite stunning video and audio falls short . In the same chapter, the "Xerxes Mix" is a dynamic hip-hop beat that.

Their dictate is simple: And with that, even as his fellow Spartan and political rival Theron Dominic West insists he stand down, the king makes his decision. He has a moment of wondering whether he should sacrifice his men as readily as he is willing to sacrifice himself --for honor and freedom, which are not precisely what define life in Sparta.

Meet the Spartans Blu-ray

But he consults his wife, who insists that he ask himself, "What would a free man do? The next morning, he and his warriors head off to kick some Persian ass. Along the way, they find some Arcadians also eager to fight back the bullies, but this group, though numbering more thanis comprised of blacksmiths, potters, and sculptors, meaning, they're wussies.

The real fighting is left to the Spartans! They all wear leather-looking short shorts and crimson drapes that billow brilliantly during their bullet-timey battle scenes, offering accents on blood spilled and spurted.

meet the spartans xerxes mix dance 90

Thus they identify themselves and recognize others as such. Still, it's not as if they need too much help in seeing who's not them: They're Persian here, blackmisshapen here, hunchbackand "Oriental" identified by music cues and ninja-style outfits, complete with silver masks.

His abs are not nearly so defined as those of the Spartans! Insisting that the Spartans! All this deviance is made manifest during an orgy scene presided over by Xerxes: Anxieties about masculine identity lie at the heart ofthough the film doesn't exactly resolve them. He means to go down in history as something else, fighters for a cause, namely, their manly rep. That this rep is so overtly eroticized here is hardly original: But everything else about them leans the other way, which suggests why they fight so fiercely to kill of the others they can identify external to themselves.

In contrast, Leonidas of Meet the Spartans, is denigrated as lusty, yet hardly heroic macho with only a scraggly troop of thirteen morons see Figure 7.

meet the spartans xerxes mix dance 90

In Meet the Spartans, there is plenty of crotch to pay attention to, albeit most phallic insinuations are meant in a ridiculing manner suggesting a dysfunctional heterosexuality.

The focus remains rather on the Spartans and their interactions with one another as well as the Persian enemies. This queering needs to be stressed, precisely because it exposes the peculiar gap in Paul Cartledge asserts the consistent fascination with the social practices of the Spartans, including their institutionalized ped- erasty between a young warrior and an adolescent boy, as part of a state- ordained pedagogical system. On the concept of comic ridiculing as parodic tradition, Linda Hutcheon claims: Even in mocking, parody reinforces; in formal terms, it inscribes the mocked conventions onto itself, thereby guaranteeing their continued existence.

This brings a reading of Meet the Spartans to a crucial moment that did not occur in this manner in Homosexuality as universal ethics on the one hand and yet based on a segregated gender notion on the other, obviously accounts for some of the ambivalences inherent in any read- ing of male homoeroticism in heroic genres, whether comic or otherwise. Very quickly, however, the hero takes off his peplum in favor of more revealing costuming: Especially battle and torture scenes allow for a depiction of the male body as spectacle.

The peplum has this in common with other male genres such 23 Jeffrey Weeks, Coming Out: And yet, in the peplum such scenes remain the exception.

meet the spartans xerxes mix dance 90

As such this steeled, trained body can be equated with an imperial desire for power: The Male as Erotic Object London: Cygnus Arts, The pressing question remains, however: Is it the Spartans, who as defenders of freedom are being turned into victims?

Or the Persians, whose quantitative superiority compensate for their lack of individual bodily strength? Straight boys love a muscle boi yeah yeah Gay boys love a muscle boi yeah yeah. Here, another intertext gains importance: The reference to United 93, on the other hand, gets more obvious when Leonidas warns him about the plan to force the plane to land.

Here, Leonidas kicks him out of the plane into the air with the farewell: This is the plane that did not hit the Capitol in Washington, D.

Meet the Spartans - Wikipedia

Not only do the Spartans look silly on board an airplane with their ancient warrior costumes, the mixture of white terrorists in plain every- day clothes with their Orientalized leader Jerxes in an antiquated costume also strikes the audience as totally incongruent. With his queer gear, he rather matches his Spartan adversaries, of whom one passenger wonders: The clash of civilizations that in is represented through stylized scenes of violence and sexual innuendos tinged with a fascist aesthetics has been taken here to its absurd extreme.

In United such crude humor unques- tionably exposes and even subverts the homophobic racism and the poli- tics of enemy stereotyping of its predecessors. They are ambushed at a poorly-manned outpost that is near the scene of a massacre a decade earlier of French soldiers during the First Indochina War.

He thinks it fatal to rely on the notion of a racially pure, i. Instead of Sparta, now it is America that faces the threat from Persia. In its retelling of the story of Thermopylae, embraces the mythos of the battle rather than the historical truth of the era, and in doing so becomes an elaborate bit of present-day pro-war propaganda.

  • 300 (2007)

Even though the law did not pass, this effort nevertheless speaks of a cultural climate in which it has become possible to repeal the already legalized possibility of a homosexual marriage in seemingly gay-friendly California. Robert Rushing ironically yet succinctly points out the aesthetic-political agenda of as pertaining to the tradition of the per- formance of ambiguous heteronormativity in the historical epic: In contrast, the two spoofs on certainly push the Spartan legend to its absurd comic extremes, unearthing the cartoonish qualities of a frozen myth in the case of Meet the Spartans and disclosing the exaggerated cult of maleness as part of the war machinery in the case of United They also address social norms and as such take part in the longstanding cen- tral agenda of satire.

Such code switches make serious fun of the politics of heteronormativity by queering the celebrated legend of the three hundred Spartans. Rutgers University Press, The Year of Thermopylae London: Queer Fictions of the Past: History, Culture, and Difference Cambridge: Cambridge University Press, Structuralism, Linguistics and the Study of Literature London: Parody as Film Genre: Palgrave Macmillan, 97— One Hundred Years of Homosexuality: Godley; Pax Librorum,accessed June 6,http: A Theory of Parody: Miller, Frank and Lynn Varley.

Dark Horse Books,