'Meet The Robinsons': Keep Moving Forward at Disney | Animation World Network
Based on the William Joyce illustrated book, Meet The Robinsons features a We keep moving forward " In fact, the movie ends with the full quote from "We loved the charm and warmth of his illustrations, and a lot of the ideas . on top of that, you have a bit more real look to the images you're creating. Meet the Robinsons has pulp to it, even if it doesn't have your child's attention. ( the magic number that means he probably will never have a family). First there are the Deleted Scenes preceded by an introduction to each scene and they're rough cut, or black and white, or purely story board pictures. meet the robinsons Disney Movie Scenes, Best Disney Movies, Disney Pixar, my favorite non-Princess Disney movies because of the messages of family and.
The adult Bowler Hat Guy is hilariously inept at his villainy and Doris is clearly the one in charge. Presumably, this means the Bowler Hat Guy version of Goob never comes to exist. Her motivation feels too weak to be believable, and the fact that she is defeated by a quirk of time travel logic rather than a proper fight makes her even less memorable.
As far as Disney villains go, Doris is certainly not one of their best. One of my favourites is Dr. Lewis never figures out who she is during his time there, only working it out when he returns to the past to fix his memory scanner. Seeking a volunteer, he gets Lucille, and after using the device on her to recall memories of her wedding, Lewis and the audience realises who she is. One other character I liked here was that of Mildred, the woman who runs the orphanage Lewis lives at.
At the end of the film, she and Lewis also share a touching farewell after he finally finds a family of his own — you can see how happy she is for him and it makes for a lovely moment. Most of the credit goes to Angela Bassett for her gentle performance; she brings a lot of heart to this minor character and made her one of the highlights of the film for me. Before I try to dissect the gigantic Robinson family, I feel I must state this one last time — there are far, far too many characters crammed into this film.
Not counting Lewis, Wilbur or Lucille, there are still twelve more Robinsons to try and remember, but only Franny and Bud are given any real attention. The main one is that she is present as a child at the very science fair where Lewis meets Lucille, in a rather lazy coincidence.
Of course, this is often a problem in time-travel stories we all remember when Marty nearly slept with his own mother in Back to the Futurebut it feels especially weird here in a Disney film. Art, Gaston and Tallulah. Spike and Dmitri, Laszlo and Joe.
The remaining Robinsons are the following: He apparently makes the decision with his wife to adopt Lewis when they meet him at the science fair, showing him to be a caring man if not also a rash decision-maker. The other brother, Joe, is the fat silent guy who married the Russian-accented Aunt Billie.
Week Meet the Robinsons | A Year in Disney Movies
The trick for me was that the choices we made could never pull the audience out of the movie and distance them from the characters. That was the journey that we had from the very beginning. I'm really pleased with what we came up with because there's a very simple graphic language with a real appeal to their faces.
But you feel the flesh, you feel the muscles, you feel the chins and knees. They referred to Disney animation from the 50s as the present while in the future things zip around like Warner Bros.
After six months of boarding the movie and putting them up on reels, production began in with a crew of Given Joyce's retro style -- influenced by everything from Technicolor movies to '40s architectural design -- Anderson and his design team looked for dramatic contrasts to depict the present and future. According to art director Robh Ruppel, who studied, among other things, the way cinematographers Vittorio Storaro Reds and Caleb Deschanel The Natural handle period looks, the philosophy could be summed up thusly: Every time he thinks about the past, every time he gets further from his answer, we pull more color out.
Every time we go into the past, we pull most of the blues and the higher saturated colors out. The present is in between those worlds, color wise: In the shape design, we tried to keep the present day very boxy and square. Everything's on a grid, everything's a little repetitive, everything's a little busy. So that when you go to the future, the view is unobstructed, the building shapes are very curved.
There's pleasantness to it. It's just one big giant factory. We talked a lot about Apple products: Soft, happy, puffy clouds, blue skies and bubbles. The Incredibles was a definite inspiration for this. It was eye-popping to me, and certainly part of my education in 3D and how to do character animation with all of its subtleties. We looked at a lot of Warner Bros.
Alice in Wonderland, Cinderella and Peter Pan were Disney inspirations as far as combining believable characters with much more caricatured ones in the same scenes. In the future, things move a little bit faster and are quirkier and more off beat, with characters that can zip around like Warner Bros. It creates shadows based on the proximity of one object to another.
It's a way to avoid that glowy feel that computer animation has or the way mouths look like they're illuminated from inside. Occlusion, because it's a closed space in there, will darken that mouth immediately.
'Meet The Robinsons': Keep Moving Forward at Disney
Then when we add our texture and lighting on top of that, you have a bit more real look to the images you're creating. It took a while because I'm so used to how you create the impression of space in 2D: The rest is just a lot of interesting things happening, a walkthrough with the quirky Robinson family, with no real growth or change for our protagonist — and no explanation of who the Robinsons are or why they are so unusual.
All around, an improvement. I spent a lot of the movie distractedly trying to remember my first exposure to time travel. I think I was fairly young and was able to follow the concept, but only if presented with an absence of paradoxes. But when it comes to considering the character of Goob, that might not be totally beneficial. He treads that uncomfortable line between truly scary and totally pathetic, and odd bits of comic relief such as his possession of a unicorn binder and his emotional dependence on his hat struck me more as sad than funny.
This is what we know about Goob before he goes villain: