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They are characterized by smooth, competent imitative writing in two and three voices. Views Read Edit View history. The original right-hand fingering was rather unnatural. He is also notable for being the earliest composer for vihuela to adapt the contemporary Italian style of lute music.
Guárdame las vacas by Luys de Narváez –
Volumes four to six have mixed content. This page was last edited on 21 Augustat Retrieved from ” https: Today, quatro is spelled cuatro.
In the process of retranscribing and renotating the piece using LilyPond, I made some changes to fingering. Changed some fingering in measures 30, 32, and 33 to match original tablature. avcas
Luis de Narváez
The collection begins with a preface, in which the composer dedicates the work to his patron Francisco de los Cobos. As usual, fingerings are only suggestions; you may ignore them and choose your own. The gjardame volume of the collection is dedicated exclusively to intabulations of works by other composers: The most notable change is in measure 28, which I used to play with a fourth-position barre.
Instead, the title page refers to siete diferencias de guarda me las vacas. The new fingering uses the thumb more and is more playable. Confusion arises because the immediately following work in the original manuscript, Otras tres diferencias hechas por otra parteis not ed on the title page or index.
Apart from melodic variations, there are also two sets on ostinato harmonies: If you can play Message in a Bottleyou shouldn’t have a problem with guarvame fingering. The second of the two songs is wrongly attributed to Gombert, it is a work of Jean Courtois.
He was born in Granada and the earliest surviving references to him indicate that as early as he was a member of the household of Francisco de los Cobos y Molinaa well-known and very successful patron of the arts who was the Gkardame of State and commentator for the kingdom of Castile under Charles V.
Actively Maintained LilyPond Output. Guardame las vacas and Conde clarosboth in volume six. Roman numerals in parentheses are not original and are provided for convenience only. Other than the guitar-specific fingerings including left-hand legatothe music the notes themselves should now match exactly the original tablature.
Diferencias sobre ‘Guárdame las vacas’ (Narváez, Luys de)
Reverted note additions to measures 30 and 33, leaving only notes occuring in original tablature. As you can tell from the revision history below, I’ve made other changes over time, eventually reverting two instances where I had added extra notes to form chords to make a note sound fuller.
Renotated using LilyPond, making some notational improvements along the way. The remaining music comprises villancicos, romances, and a Baxa de contrapunto.
The new version matches more closely the original vihuela tablature by playing the measure in first position. Changed beaming to match metrical changes.
If you have trouble with the left-hand fingering for the scale run in measure 22, you’ll have to come up with an alternate fingering. I’ve retained the previous version generated with Sibelius for those who want tablature gguardame wish als compare Sibelius and LilyPond output.
Although still a transcription and arrangement for the guitar and not a literal vihuela tablature transcription, this version should be more readable and somewhat truer to the original vihuela tablature. The intabulations are of high quality, but without any particular distinguishing features. There is some debate over whether the full composition consists of four or seven variations. My transcription allows you to play luy song in the guitar’s normal tuning.
The first two volumes contain fourteen polyphonic fantasias, modelled after Italian pieces of the same kind. From Wikipedia, the free encyclopedia. It consists of a set of variations on a Spanish folk theme.