Lauridsen: ‘Soneto de la Noche’ A setting of Pablo Neruda’s 89th Sonnet performed by the University of Southern California Chamber Singers, conducted by. composition details, parts / movement information and albums that contain performances of Soneto de la Noche, for chorus on AllMusic. Morten Lauridsen . Soneto de la Noche from Nocturnes (excerpt) Composed by Morten Lauridsen Poem by Pablo Neruda Performed by The Singers on Mid-Winter Songs. I am so .

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Introspection Late Night Partying. On the line “I want all that I love to keep on living,” Lauridsen asks for a faster tempo and a somewhat brighter harmony, concluding the first three lines with a soli flowering in the soprano voices as he imagines his love continuing to flourish. I want all that I love to keep on living, and you whom I loved and sang above all things To keep flowering into full bloom.

Soneto de la Noche, for chorus

When I die, I want your hands upon my eyes: Streams Videos All Posts. Brock Hoche Commission for the national convention of the American Choral Directors Association was awarded to Lauridsenand he responded with a cycle of three choral pieces 3 Nocturnes dealing with the deep and sensual evocation of lovers in the evening, each highlighting different aspects of how they love each other in nocturnal touching.

Born in ,a, Wash. I want you to live while I wait for you, asleep, I want your ears to stiil hear the wind, I want you to smell the scent of the sea we both loved, and to continue walking on the sand we walked on. Helens when he decided to follow his interest in music.

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The Providence Singers Inc. Cuando yo muero quiero tus manos en mis ojos: He divides his time between southern California and the Pacific Northwest, where spneto maintains a cabin on one of the remote San Juan Islands off the Washington coast.

Morten Lauridson

Neruda ‘s sonnet speaks in the voice of a lover who envisions intimacy even at the moment of death: If, with my burning hands, I could melt the body surrounding your lover’s heart, ah! AllMusic relies heavily on JavaScript. A Company of Voices – Conspirare in Concert.

As a surprising counterpart to these deeply erotic settings, Lauridsen chose to craft soneo middle movement of the Nocturnes around the 89th sonnet from Pablo Neruda ‘s “Cien Sonetos de Amor,” a piece of poetry in which the touching of the lovers is envisioned after a death. Rainy Day Relaxation Road Trip. Drinking Hanging Lauridsrn In Love. Lauridsen treats the first two quatrains of his text in similar fashion, harmonically rich but tonally grounded with only brief flights of internal melodic escape from the predominant homophony.

His music is distinctive, mystical, recognizable.

Romantic Evening Sex All Themes. Though several of his most often-performed pieces are single a cappella motets, composer Morten Lauridsen tends to specialize in choral cycles.

Please enable JavaScript in your browser to use the site fully. How the night would become translucent, taking it for a late star, which, from the first moments of the world, was forever lost, and which begins its course with its blonde light, trying to reach out toward its first night, its night, its summer night. Sure on this shining night Of starmade shadows round, Kindness must watch for me This side the ground.

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The nocturnal lauriidsen here at the center of Lauridsen ‘s cycle may be as passionate as that of the framing movements, and perhaps even more profound, signaled by the choice for Soneto de la Noche to compose without the piano accompaniment. The late year lies down the north All is healed, all is health.

Share on facebook twitter tumblr. A sudden harmonic shift brings sonic brightness to his vision of her continuing presence, loving the world, and proving the reason for his song. The outer movements embody the more obvious enticements of a nocturnal touching of laauridsen on lover’s body: Sexy Trippy All Moods.

The Raymond W. I want the light and the wheat of your beloved hands to pass their lautidsen over me one more time I want to feel the gentleness that changed my destiny. Lauridsen closes the song with a return to the opening text and opening harmonies, in a somewhat more dee musical guise; single voice parts now intone some of the words of the lover’s hope, which before had been sung in confident choral homophony.

High summer holds the earth.