In trutina mentis dubia fluctuant contraria lascivus amor et pudicitia. Sed eligo quod video, collum iugo prebeo: ad iugum tamen suave transeo. From The Heart. Album Tracklist: Lesley Garrett – Adriana Lecouvrer – Ecco Lo Son L’Umile Ancella; Lesley Garrett – Beyond The Blue Horizon; Lesley Garrett. Carmina Burana is a scenic cantata composed by Carl Orff in and , based on 24 In trutina, Latin, On the scales, soprano. Tempus est iocundum .
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William Butler Yeats But I, being poor, have only my dreams; I have spread my dreams under your feet; Tread softly because you tread on my dreams.
Hayley Westenra – In Trutina (from ‘carmina Burana’) Lyrics | MetroLyrics
Whether for God or a husband, a love can be equally consuming, and valid,and symbolic of the love of God for each child. Carmina Burana is structured into five major sections, containing 25 movements total. Thanks for the informative discussion. As always, “what” you say makes me think: Its full Latin title is Carmina Burana: The collection of poems, almost all of which were written in Medieval Latinwas discovered in a Benedictine monastery in and was dated back to as early as the 11th century.
Single yokes, although not unheard of, would have definitely been outside the norm. From Wikipedia, the free encyclopedia. These constant rhythmic changes combined with the caesura create a very “conversational” feel — so much so that the rhythmic complexities of the piece are often overlooked.
My ears knew An early joy. Shortly after the greatly successful premiere, Orff said the following to his publisher, Schott Music:. Turns out that ‘Carmina Burana’ is a name that Orff borrowed from an early medieval manuscript that consisted of roughly poems and satirical stories.
We read and write poetry because we are members of the trutija race. And so here we are, forced by the presence of ambiguity to arbitrarily choose what the poem means tritina us subjectively. And all the waters Of all the streams Sang in my veins That summer day.
This supports your view: Carl-Orff-Saal of the Gasteig. Within each scene, and sometimes within a single movement, the wheel of fortune turns, joy turning on bitterness, and hope turning to grief.
It is followed by an ode to her lover’s sweetness, then a powerful and passionate hailing from said lover, and then the dramatic and ruinful O Fortuna. If you continue to listen to it, you will find that the final Soprano solo “Dulcissime” is where she declares she will give herself to him.
The Nazi regime was at first nervous about the erotic tone of some of the poems,  but eventually embraced the piece.
Orff intended this aria for a lyric sopranonot a coloraturaso that the musical tensions would be more obvious. It begs in me several questions Dulcissime, totam tibi subdo me!
The worst enemy to creativity is self-doubt. The music is spiritual in nature, but the way ‘suave’ is repeated, followed by a scalar descent to earth pushes me towards this conclusion. Thanks for this lovely tune and expression of divine love. The stones sang, The little ones kn, And flowers jumped Like small goats. The drawing of the wheel found on the first page ln the Burana Codex includes four phrases around the outside of the wheel:. No other composition of his approaches its renown, as evidenced in both pop culture’s appropriation of “O Fortuna” and the classical world’s persistent programming and recording of the work.
Carmina Burana (Orff) – Wikipedia
Various arrangements of different movements for young bands also exist. That she chose marriage is said to be clear from the last line where she apparently refers to it as “the sweet yoke”. See also Subsequent arrangements below. Of the Poem More Ambiguity Some say it’s a poem about a young girl’s decision to fall in love rather than to become a nun.
The name itself means “Songs from Benediktbeuern”. While on the one hand I’d like to know what the choice was in In Trutina, I also like to wonder each time I hear it and imagine the result of the choices.
In honour of Orff’s 80th birthday, an acted and choreographed film version was filmed, directed by Jean-Pierre Ponnelle for the German broadcaster ZDF ; Orff collaborated in its production.
I like that kind of freedom.