Here are some of the most frequently asked questions about the Lydian Chromatic Concept. This page can be read either as one continuous article from . What is the best scale to play over a CMaj7? Most people would say the C Major Scale, but George Russell’s Lydian Chromatic Concept says otherwise. I’ve recently found out about George Russell’s book the Lydian Chromatic Concept of Tonal Organization and I’ve been curious about exactly.

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The harmonic series is the most natural expression of sound at its fundament.

Close though the frequencies may be, the 11th partial of the overtone series is almost always understood to be a flattened 4. John Coltrane’s modal jazz is usually analyzed using Russell’s method. Each Chromatic Order has seven principle scales. So you have a choice of 22 different scales you can use to improvise over this one chord.

theory – What is the Lydian Chromatic Concept? – Music: Practice & Theory Stack Exchange

Many people outside of music are drawn to The Concept due to its objective view of tonal gravity. Are there any connections drawn in The Concept between music and psychology? Email Required, but never shown. It explains and justifies this reasoning through the overtone series, interval vectors, and what is described as tonal gravity. Skip to content Introduction A question or two: Unlike any other theory of music, Mr. Therefore, the essential difference between these two scales is that the Lydian a single tonic scale is in a state of unity with itself, and the Major Scale, with its two tonics, is in a state of resolving.

Russell’s work postulates that all music is based on the tonal gravity of the Lydian mode. If you want more detail — read the book and Good Luck — it is not an easy read…. Sign up or rusell in Sign up using Google.


When discussing this theory you need to dispense with functional harmony. The information in the latest edition is truly priceless! Most students of The Concept tend to be composers, improvisers, and people interested in the analysis of russfll existing musical compositions. The minimalist apparitions of the “New Age” will be curiosities of the past, understood as the unfortunate byproducts of primitive prescription drugs that dumbed and numbed a good part of the population.

This lyduan because an octave is the second harmonic in the harmonic series. The other music will be explained as the unfortunate byproducts of primitive non-prescription drugs that concfpt and numbed everyone else.

Russell builds a prototype chromatic scale starting on the Lydian Tonic by stacking fifths, skipping the interval between the seventh and eighth tones. Through the Concept the law of gravity is apparent. What are the extra-musical considerations of the Lydian Chromatic Concept?

It has existed in a state of continual evolution since the early s. I’ve recently found out about George Russell’s book the Lydian Chromatic Concept of Tonal Organization and I’ve been curious chromaatic exactly what the Lydian Chromatic Concept is and how it can be used to compose music.

George Russell’s Lydian Chromatic Concept of Tonal Organization

Artists most often describe the process of creativity in transparent and intangible terms. Post as a guest Name.

The Art and Science of Tonal Gravity. I wasn’t about to get into an argument whether the 11th partial is closer to a 4 or a 4, I just pointed out that your mentioning the overtone series might be misleading, because Russell only uses the perfect fifth and nothing else from the overtone series as an argument for using Lydian as the basic scale. Yes, the point you made made me realize that my answer lacked some specificity – specifically relating to russeol of perfect fifths.

As the player ventures further from the Lydian tonic however and further up the circle of fifthsthe tonal gravity shifts. To this end, the fifth then establishes itself as the basic unit of tonal gravity whereby.


Here are some of the most frequently asked questions about the Lydian Chromatic Concept. The Art and Science of Tonal Gravity. I eventually plan on getting the book, but I’ve also tried to learn about it from other sources and they have been really lacking in basic information about it.

There are currently a small number of instructors in the United States, Europe and Japan who are formally certified by George Russell to teach the Concept. This theory was very influential. Russell posited that tonal gravity emanates from the first seven tones of the Lydian mode. What is Tonal Gravity? The Take Away Lydian Scale is more closely aligned to the natural, universal properties of sound than the conventional major scale.

Lydian Chromatic Concept

The Lydian Scale exists as a self-organized Unity in relation to its tonic tone and tonic major chord. It must be understood that the answers here are short and to the point. Most people, since the creation of tonal music a few centuries ago, would answer: Its contribution is relevant in all stylistic genres of music and from all time periods. By using this site, you agree to the Terms of Use and Privacy Policy. The Lydian Scale was not chosen as the primary scale for this system of music theory because it sounds nice or has some subjective or historical significance.

Bach and Maurice Ravel are included in the current volume to reinforce the all-inclusive nature of tonal gravity.