Composer: Fernando J. Obradors () Teresa Berganza, soprano; Felix Lavilla, piano. Aix-en-provence festival 18 July El Vito. El vito is a traditional folk song and dance music of Andalusia whose origins can be traced back to the 16th century. Its name refers to the “disease” known as St. Fernando (Ferran) Jaumandreu Obradors (–) was a Spanish composer . Obradors His orchestral work “El Poema de la Jungla” is inspired by The Jungle Book stories by Rudyard Kipling. Many of his contemporaries left Spain to .
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I want to learn this piece! Then there is a break in the dance again when the piano has viot little interlude. Emma Lynn April 8, at 5: Katalin April 7, at 2: Although the piano version is exciting, pianists should really emulate the guitar which it is obviously modeled after. Sarah Benzinger April 5, at All materials found here are for educational purposes only.
She communicates so much with just her eyes. Another interpretation where the rhythmic vigor relies much more on crispness and precision than in weight of accents.
Berganza’s ability to maintain the crisp, piano sections of the vocal line and then sing in full legato later create an exciting performance. Somehow Theresa Berganza sings this with a sense of relaxed ease, you can see it in her body and hear it in her voice.
Sunday, March kbradors, “El vito” by Obradors.
Fernando Obradors – Wikipedia
Yoshi April 10, at 9: The pianist did a great job in making each note speak such that there was a lot of energy from the piano part. The piece is very atmospheric and has the feeling of being in the tavern, as is the origin of the piece.
Shannon McAleb April 5, at What a sensual piece.
Some of the runs sound more pianistic than guitaristic, but the majority of the writing definitely sounds guitar inspired. The way the voice and piano interact is playful, discrete and yet so profound.
Sarah Obradrs April 9, at Translations are from Lied and Art Song Page. The rhythmic impulse in this piece is absolutely driving and unrelenting.
It was playful without feeling affectated.
I love the, as Abby put it, crispness of this piece and I love the way it exists intimately obrzdors the passion. John April 3, at 9: This piece is so passionate. Grant mack April 9, at 9: Underlying the melody is a sense of danger, and I love how Berganza draws the listener in. A driving, perpetual introduction, a vocal line that is very dance-like as well as seductive.
Canciones Clásicas Españolas, Vol.3 (Obradors, Fernando)
It looks so fun to perform. On with the dancing, on with the dancing, ole! That is when the dance really begins. She is precise, but so comfortable and relaxed, creating natural rubato within each phrase. I can really hear the inspiration from the guitar.
El vito – Wikipedia
The relatively lenghty prelude is really carried by the repeated notes in the piano. The rhythmic intensity paired with the ease and improvisatory nature of this song create an atmosphere of unpredictability.
It reminds me of Flamenco music, and I can see her move her shoulders slightly as if she’s controlling herself from breaking into Flamenco dancing. I enjoyed the rhythmic energy and drive of this music. I love this piece and have Ivto sparkling eyes in mind as I was listening. I really can imagine a woman in a sea of bullfighters.
It is such an effective performance. Another obrarors piece that keeps you on the edge of your seat! This blog was created to provide a place to discuss the music and texts of vocal performances of various styles and languages.