Dalbavie: Flute Concerto Emmanuel Pahud By Marc-André Dalbavie – Orchestre philharmonique de Radio France, Transir for Flute & Chamber Orchestra. Check out Dalbavie: Flute Concertos by Emmanuel Pahud on Amazon Music. Stream ad-free or purchase CD’s and MP3s now on Like other high-profile wind players, Emmanuel Pahud has sought to compensate for the dearth of pre concertos by commissioning contemporaries.

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A bit like swearing at a monk, the rudeness proves conccerto impotent, and the relationship evolves into something rather uncanny. There was a quartet for piano, viola, bassoon, and trumpet, about which it was explained that the trumpet it muted throughout because — well, you know, it says to do so in his undergraduate orchestration book.

About Patrons The Lists List of compositions reviewed on 5: Contact Submitting music to 5: But each and every time, barely after a few dslbavie have been uttered, the nascent melody is quashed and everything twirls off somewhere else.

Like other high-profile wind players, Emmanuel Pahud has sought to compensate for the dearth of pre concertos by commissioning contemporaries. These three works provide a well balanced programme, and high standards of playing and recording combine to make this a release to be reckoned cincerto.

After this, Michael Jarrell’s …un temps de silence… and Matthias Pintscher’s Transir are a good deal more intense. Despite first appearances, there are commonalities between the two works. It really is insulting.

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cojcerto It works because there are no half-measures: The texture bristles with the far-off presence of percussion woodblocks at first, rototoms laterand through the first half of the piece, the orchestra is allowed to project significantly but never seems terribly robust; an attempted coup around six minutes in is like a fanfare reduced to fragments. Dalbavie seems intent on aiming the flute on a trajectory that seeks to reincarnate the Flight of the Bumblebee.

Both eschew the contemporary practice of opting for descriptive names; the bald title Flute Concerto has connotations of its own, of course, but nonetheless suggests that deeply ocncerto content is not the order of the day. And this drivel is being presented — by leading performers and institutions, some of whom must surely know better — as important work by a leading composer?

Anonymous November 8, A belated note on the Dalbavie, which I only got around to recently, but I am compelled to share in your dismay.

I mean, really, how can this be?

Dalbavie; Jarrell; Pintscher Flute Concertos |

The trumpet was not muted, and there were no balance problems. Related Posted on July 29, by 5: Gramophone products and those of specially selected partners from the world of cnocerto. Twitter Tweets by 5against4. But there the similarities end. Anonymous March 25, Thank you.

Skip to main content. To that end, both also place greatest importance on the surface of the music, inviting the listener first and foremost to place their focus on its undulations. The all-time greats Read dalbave the artists who changed the world of classical music.

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Dalbavie; Jarrell; Pintscher Flute Concertos

His concerto is little more than a vacuous compositional exercise, the most cringe-making moment being when Dalbavie attempts a pastiche of impressionism, replete with octatonic scales: Gramophone’s expert flutte easier than ever before. I previously encountered his work on a program split with Kurtag!! Transir is the most radical of the three works in its addiction to fragmentation, brief expressionistic outbursts articulating what might be heard as an extended modernist mad scene.

There was also a large ensemble piece which was audibly a grab-bag of bits of Favourite Twentieth Century Classics a bit of the Ligeti Five Pieces here, a bit of that there. In fact, as the work unfolds, the quizzical nature between the one and the many takes on an ecstatic quality, the flute continuing its endless melody in a quasi-mystical manner, ever quieter and more tranquil.

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Posted on July 29, by 5: After it, Dalbavie’s unaffected warmth seems even more seductive than it otherwise might. This is indeed profoundly chilly music, constantly on the verge of freezing solid, never thawing into expansiveness.