Find composition details, parts / movement information and albums that contain performances of Sequenza III, for voice on AllMusic. Luciano Berio. Sequenza . Sequenza III (author’s note). Sequenza III for voice (). The voice carries always an excess of connotations, whatever it is doing. From the grossest of noises. Berio described Sequenza III as being a 3 part invention built on elements of text, performance would be different, the directions on the score are very precise.

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Streams Videos All Posts. Please enable JavaScript in your browser to use the site fully. Give me a few words for sequenzx woman to sing a truth allowing us to build a house without worrying before night comes.

Sequenza III, for voice | Details | AllMusic

Songs for Seven Centuries. Nel labirinto della voce. Jazz Latin New Age. Karlheinz Stockhausen, Luciano Berio.

Sequenza III, for voice

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In Sequenza III I tried to assimilate many aspects of everyday vocal life, including trivial ones, without losing intermediate levels or indeed normal singing. In the Voice Labyrinth.


AllMusic Featured Composition Noteworthy. AllMusic relies heavily on JavaScript. Ricerca Search this site: From the grossest of noises to the most delicate of singing, the voice always means something, always refers beyond itself and creates a huge range of associations. The voice carries always an excess of connotations, whatever it is doing.

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Drinking Hanging Out In Love. The Great Works for Voice. In order to control such a wide range of vocal behaviour, I felt I had to break up the text in an apparently devastating way, so as to be able to recuperate fragments from it on different expressive planes, and to reshape them into units that were not discursive but musical. For this reason Sequenza III can also be considered as a dramatic essay whose story, so iiii speak, is the relationship between the soloist and her own voice Sequenza III was written in for Cathy Berberian.

Although Berio and Berberian divorced in the mids, their musical collaboration continued into the s. Il contenuto di questa pagina richiede una nuova versione scre Adobe Flash Player.

The “text” consists of vocatives of little semantic value by Markus Kutter; meaning instead emerges via the soprano’s evocation of particular expressive formulas: Inspired by Berberian’s extraordinary vocal prowess, Berio set out in Sequenza III to create a catalog of vocal gestures that encompassed the gamut of effects and techniques.


Sequenza III is a piece very much of its era, paralleling other experiments in scoree music and textual meaning such as Cage ‘s Aria and Ligeti ‘s Aventures The text had to be homogeneous, in order to lend itself to a project that consisted essentially of exorcising the excessive connotations and composing them into musical units. Share on facebook twitter tumblr.

One of Luciano Berio’s most fruitful sources of inspiration was his long collaboration with soprano Cathy Berberian – 83who was the composer’s wife as well as a primary exponent of his work throughout the s. Sequenza III variously requires the performer to mutter under the breath, laugh, and sing in the conventional manner.

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