E.T. Was Gay - PopMatters
E.T. and Elliott are being tested on and E.T. loses his connection with him,dying after. He isn't dead,oh no, E.T. was very much alive. He escapes with the help of. Custom «Elliot and E.T.'s Parent-Child Relationship» Essay Paper . Furthermore, by talking to the scientist, who sincerely wants to help Elliot emotionally, Elliot. Everything you ever wanted to know about the theme of Friendship in E.T.. The relationship between Elliott and Michael is also important: Michael starts the.
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plot explanation - How does Elliott start feeling/behaving like E.T.? - Movies & TV Stack Exchange
But the spaceship is mechanical, not of the flesh. Let's read the vessel, then, as a metonym for the city, an urban space meant to contrast the suburban pastoral of Elliott's neighborhood. Inlarge cities were the only places where gays could assert their identities in community relatively sheltered from hostility and censure. He is a gardener, a conventional gay stereotype. Headless authorities pursue him with their flashlights.
The beams of light piercing the protective darkness of the bower serve as a metaphor for the analytical gaze. As noted above, E. Yet after Elliott has settled E.
The world Elliott illustrates is violent, hierarchical. When Mary enters Elliott's room and sees the mess he's made, he replies "I was reorganizing. When she scans the closet, Mary misrecognizes E.
Elliott's younger sister, Gertie, cross-dresses E.
Uncannily, it's only through the mediation of what is, in effect, a drag performance, that E. Elliott resists the drag identity. He admonishes Gertie, telling her to "give him his dignity".
"E.T. sent my world crazy": Boy actor Henry Thomas from E.T. on how hit film changed his life
He represents the reconciliation of the analytical and the intuitive, talented with both the organic, as well as the technological. He improvises a hi-tech device from common household consumer goods in order to "phone home". His preoccupation is with information-economy productivity -- to create a new medium of communication. Gordon writes that "the ads for the film emphasize the long, glowing finger reaching out like the hand of God It's not a coincidence that this image of Elliott and E.
The economy of this allusion is wonderful. The touching fingers are phallic, yes, and made further queer by association with one of the great men of the Renaissance, now widely recognized as having been homosexual.
The one scene that supposedly demonstrates Elliott's heterosexuality comes off as ambiguous. Meanwhile, Elliott is in biology class where the students must etherize and dissect frogs. The symbiosis between Elliott and E. Elliott grows as drunk as E. In the chaos that follows, just as John Wayne pulls his love interest to him and kisses her, so too does Elliott with the class cutie, using a bully as a stool.
But who is kissing whom? It's unclear whether E. Yet, in spite of the blossoming union between E. In the summer ofa mysterious new disease was killing gay men disproportionately in New York, San Francisco, and Los Angeles. The liberal press dubbed the disease the "gay cancer". In our dissident reading of E. His body is emaciated, sallow, ashen. Elliott declares to his mother, "I think we're dying. Of an older, less tolerant generation, Elliott's mother separates them, rejects their symbiosis.
Presumably by invitation, faceless astronauts invade the house and construct a hermetic bio-lab around the two of them. The menace of the unknown disease has bred media and medical hysteria. Scholars have written extensively on the Christ allusions in the subsequent scenes of resurrection within the cryogenic crypt. But they overlook the pivotal moment when E. It's only when the Major connects with Elliott that he can be free of his alter-ego.
The Major has "been to the forest" and has "been wishing for this since he was a boy". He says, "I'm glad he met you first.
He intercedes as yet another surrogate father for Elliott.
Elliott | E.T. The Extra Terrestrial Wiki | FANDOM powered by Wikia
With the use of his creative abilities and the assistance of Mike's gang, E. In context of our queer reading, this last scene feels deeply ambivalent. By taking the absent father's place beside Mary, the Major seems to be reintegrating Elliott back into "normal" society.
He is still a child, not ready to be independent, to move to the city to live a life as a fully self-actualized member of a new social order. In the twilight sky, as E.
This is, needless to say, a symbol of gay solidarity. I don't think that Spielberg, when drafting E. The working title for the film was "A Boy's Life". In an interview around the time of the premier, Spielberg said that he conceived of E.
But as any first-year English major can tell you, the message, if we try to distill it down to one, of a work of fiction is rarely ever just what the author intends.
E.T. Was Gay
As an artist, Spielberg began with an intuition about a story he wanted to tell and discovered its unfolding as he told it. He and his collaborators labored, to paraphrase Le Guin, to say in words and images what had yet to be said.
In the summer ofsomething definitely needed to be said.